Claudio Villa – Povero cuore

Claudio Villa – Povero cuore

Claudio Villa – Povero cuore

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Claudio Villa, byname of Claudio Pica (Rome, 1 January 1926 – Padova, 7 February 1987), was an Italian singer.

Tenor Claudio Villa was born Claudio Pica in the Trastevere quarter of Rome in 1926. He recorded over 3000 songs, sold 45 million records, and appeared in 25 musicals during his career.

His parents gave him the name “Claudio” in honor of Claudio Serio. Many songs made famous by Villa, like “‘A Tazza ‘E Cafe’,” were recorded for the Fonit-Cetra company. On his grave (he died in 1987) are the words “Life, you are fine. Death, you stink”.

Together with Domenico Modugno Villa holds the record for the most wins at the San Remo Music Festival, where he won the competition in 1955, 1957, 1962 and 1967.

He also sang at another Italian music competition, Canzonissima, a television event shown on RAI from 1956 to 1974. He won Canzonissima in 1964 with “O sole mio” and in 1966 with “Granada”. He competed in the Eurovision Song Contest: in 1962 he sang “Addio, addio” and came in ninth; in 1967 he sang “Non andare più lontano”, finishing eleventh.

His death in 1987 by heart attack was announced live on Italian television during the last night of the Sanremo Music Festival of 1987. His tomb, surrounded by bas-relief and wall-paintings made in occasion of 20th anniversary of death, is located in San Sebastiano cemetery in Rocca di Papa, near Rome, where he lived for many years with his family.

The singer was largely unknown in North America until the 1996 film Big Night was released, co-directed by Stanley Tucci and Campbell Scott. The film won international acclaim.

The soundtrack includes three Claudio Villa songs: “Stornelli Amorosi”, “La Strada Del Bosco” and “Tic Ti, Tic Ta”. According to the liner notes accompanying the CD, “Stanley grew up listening to vocalists such as Carlo Buti and Claudio Villa, huge names in Italy but little known here.

Villa is a master of the stornello, a traditional song style that we thought had just the right, delicate feeling for the film’s opening. But we and co-director Campbell Scott were further amazed by Villa when in the editing room, we chanced upon his boisterous “Tic Tic, Tic Ta” and his shamelessly romantic “La Strada del Bosco”.

From Wikipedia, the free encyclopedia

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