Larry Carlton & John Scofield & John Patitucci – All Blues

Larry Carlton & John Scofield & John Patitucci – All Blues

Larry Carlton & John Scofield & John Patitucci – All Blues

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Larry Carlton (born March 2, 1948) is an American jazz, smooth jazz, jazz fusion, blues, pop, and rock guitarist. He has divided his recording time between solo recordings and session appearances with various well-known bands.

Over his career, Carlton has won four Grammy Awards for his performances and compositions, including performing on the theme song for the television series Hill Street Blues (1981).


Carlton was born in Torrance, California. He started learning to play guitar when he was six years old, studying under Slim Edwards near his Torrance home.

Taking an interest in jazz while at high school, his playing style was influenced by Joe Pass, Wes Montgomery, Barney Kessel, and B.B. King. Saxophonist John Coltrane has also made a notable impression on Carlton, and Carlton’s live albums have featured cuts from Miles Davis’ Kind of Blue.

Music career

During the 1970s and early 1980s, Carlton was a session musician in Los Angeles, making up to five hundred recording sessions a year, including albums by Steely Dan, Joni Mitchell, Billy Joel, Michael Jackson, Quincy Jones, The Four Tops, Christopher Cross, Barbra Streisand, the Partridge Family, and Charly García’s Clics Modernos.

His guitar work on Steely Dan’s “Kid Charlemagne” from their 1976 LP The Royal Scam has been listed as the third best guitar solo on record by Rolling Stone magazine. From 1971 to 1977 he played with the jazz-rock group The Crusaders.

His playing on their version of Carole King’s “So Far Away” is one of the highlights of The Crusaders’ first album. In 1977 he signed with Warner Bros. Records for a solo career. The album Larry Carlton, also known as the “Room 335 album” was released in 1978.

The album was recorded at Larry Carlton’s Room 335 (studio). In 1979 he played guitar on Michael Jackson’s Off the Wall. Also in 1979, Carlton played Dreamflow from Paulinho Da Costa’s album Happy People.

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